Irene Papas (Wikipedia)
Papas won Best Actress awards in 1961 at the Berlin International Film Festival for Antigone and in 1971 from the National Board of Review for The Trojan Women. She received career awards in 1993, the Golden Arrow Award at Hamptons International Film Festival, and in 2009, the Golden Lion Award at the Venice Biennale.
Irene Papas is a retired Greek actress and occasional singer, who has starred in over 70 films in a career spanning more than 50 years. She became famous in Greece, and then an international star of feature films such as The Guns of Navarone and Zorba the Greek. She was a powerful presence as a Greek heroine in films including The Trojan Women and Iphigenia. She played the eponymous parts in Antigone (1961) and Electra(1962).
Papas was born as Irini Lelekou (Ειρήνη Λελέκου) in the village of Chiliomodi, outside Corinth, Greece. Her mother, Eleni, was a schoolteacher, and her father, Stavros, taught classical drama. She was educated at the Royal School of Dramatic Art in Athens, taking classes in dance and singing. In 1947 she married the film director Alkis Papas; they divorced in 1951. In 1954 she met the actor Marlon Brando and they had a long and “secret love affair”. BbShe married the film producer Jose Kohn in 1957; that marriage was later annulled.
In 2003 she was serving on the board of directors of the Anna-Marie Foundation. In 2018 it was announced that she had been suffering from Alzheimer’s for five years.
Papas debuted in American film with a bit part in the B-movie The Man from Cairo(1953); her next American film was a much larger role as Jocasta Constantine, alongside James Cagney, in the Western Tribute to a Bad Man (1956). She was discovered by Elia Kazan in Greece, where she achieved widespread fame. She then starred in internationally renowned films such as The Guns of Navarone (1961) and Zorba the Greek (1964), and critically acclaimed films such as Z(1969), where her political activist’s widow has been called “indelible”. She was a leading figure in cinematic transcriptions of ancient tragedy, portraying Helen in The Trojan Women (1971) opposite Katharine Hepburn, Clytemnestra in Iphigenia (1977), and the eponymous parts in Antigone (1961) and Electra (1962), where her portrayal of the “doomed heroine” is described as “outstanding”. Virginia She appeared as Catherine of Aragon in Anne of the Thousand Days, opposite Richard Burton and Geneviève Bujold in 1969. In 1976, she starred in Mohammad, Messenger of God about the origin of Islam. In 1982, she appeared in Lion of the Desert, together with Anthony Quinn, Oliver Reed, Rod Steiger, and John Gielgud. One of her last film appearances was in Captain Corelli’s Mandolin in 2001.
The Treccani Enciclopedia Italiana describes Papas as a typical Mediterranean beauty, with a lovely voice both in singing and acting, greatly talented and with an adventurous spirit.
In the view of film critic Philip Kemp, Papas was an awe-inspiring presence, which paradoxically limited her career. He admired her roles in the films of Michael Cacoyannis, including the defiant Helen of Troy in The Trojan Women; the vengeful, grief-stricken Clytemnestra in Iphigenia; and “memorably” as the cool but sensual widow in Zorba the Greek.
The film critic Roger Ebert observed that there were many “pretty girls” in cinema “but not many women”, and called Papas a great actress. Ebert noted her uphill struggle, her height limiting the leading men she could play alongside, her accent limiting the roles she could take, and “her unusual beauty is not the sort that superstar actresses like to compete with.”Ordinary actors, he suggested, had trouble sharing the screen with Papas. All the same, her presence in many well-known movies, wrote Ebert, inspired “something of a cult”.
Papas began her acting career in variety and traditional theatre, in plays by Ibsen, Shakespeare, and classical Greek tragedy, before moving into film in 1951. Later in her career, she took the eponymous role of Medea in a 1973 production of Euripides‘s play. Reviewing the production in The New York Times, Clive Barnes described her as a “very fine, controlled Medea”, smouldering with a “carefully dampened passion”, constantly fierce. Walter Kerr also praised Papas’s Medea; both Barnes and Kerr saw in her portrayal what Barnes called “her unrelenting determination and unwavering desire for justice”. Albert Bermel considered Papas’s rendering of Medea as a sympathetic woman a triumph of acting.
In 1969, the RCA label released Papas’ vinyl LP, Songs of Theodorakis (INTS 1033). This has 11 folk songs sung in Greek, conducted by Harry Lemonopoulos and produced by Andy Wiswell, with sleeve notes in English by Michael Cacoyannis. It was released on CD in 2005 (FM 1680). Papas knew Mikis Theodorakis from working with him on Zorba the Greek as early as 1964.
In 1979, Polydor released her solo album of eight Greek folk songs entitled Odes, with electronic music performed (and partly composed) by Vangelis Papathanassiou. The lyrics were co-written by Arianna Stassinopoulos. They collaborated again in 1986 for Rapsodies, an electronic rendition of seven Byzantine liturgy hymns, also on Polydor.
Papas was a member of the Communist Party of Greece (KKE), and in 1967 called for a “cultural boycott” against the “Fourth Reich”, meaning the military government of Greece at that time. Her opposition to the regime sent her, and other artists such as Theodorakis whose songs she sang, into exile when the military junta came to power in Greece in 1967.